1. |
Iridescent
16:58
|
|||
2. |
P'eng
04:04
|
|||
3. |
Twone
05:24
|
|||
4. |
||||
5. |
Mosaic, part 2: "Web"
09:56
|
|||
6. |
||||
7. |
||||
|
With Marko Novachcoff: numerous wind instruments; Mary M. Miller, voice.
|
||||
8. |
||||
9. |
||||
10. |
||||
11. |
||||
Clangstrum Ann Arbor, Michigan
G. Siclovan: guitars, bass, mandolin, drums/percussion, keyboards, bass clarinet, recorders, voice, diatonic/chromatic /bass harmonicas, cello; Marko Novachcoff: numerous wind instruments, cello, morin khuur ; Mary M. Miller: voice, violin, cello, prepared piano, mbira, percussion; Keaten North: guitar, bass; Andy Gullion: sound manipulator; Brandon Bingham: keyboards, bass; Ben Patterson: drums. ... more
If you like Clangstrum, you may also like:
Muito Sol
by Ricardo Dias Gomes
featured on Bandcamp Radio Jun 20, 2023
go to album
Le Grand Tour
by Echoes From Jupiter
The Québec post-rock group returns with eight terrifically turbulent songs, snarling guitars creating whirlwinds of sound.
go to album
The always-great label AD93 serves up a haunting LP from Jasmine Wood, dreamy songs built from sustained piano.
go to album
synth waltzes and accordion laments
by Yara Asmar
As the title implies, the latest from Lebanese artist Yara Asmar combines ambient synths with treated accordion in dreamlike songs.
go to album
Purportedly the recordings of a disgraced experimental psychologist (you decide), “Jumand” sets spoken word to eerie synths.
go to album
Aramoana
by Robert Scott, Takumi Motokawa
The Clean’s Robert Scott teams with Takumi Motokawa for a record of dense and riveting improvised music.
go to album
Melancholic pastoral instrumentals made from cello, piano, and acoustic guitar, interwoven with field recordings for a spooky undertone.
go to album
